Übersetzung und Analyse von Wörtern durch künstliche Intelligenz
Auf dieser Seite erhalten Sie eine detaillierte Analyse eines Wortes oder einer Phrase mithilfe der besten heute verfügbaren Technologie der künstlichen Intelligenz:
- wie das Wort verwendet wird
- Häufigkeit der Nutzung
- es wird häufiger in mündlicher oder schriftlicher Rede verwendet
- Wortübersetzungsoptionen
- Anwendungsbeispiele (mehrere Phrasen mit Übersetzung)
- Etymologie
you will have to move your car - Übersetzung nach russisch
 - Scene from 'Twelfth Night' ('Malvolio and the Countess') - N00423 - National Gallery.jpg?width=200)
![''Malvolio and Sir Toby (from William Shakespeare's 'Twelfth Night', Act II, scene iii)'', [[George Clint]] (c.1833)](https://commons.wikimedia.org/wiki/Special:FilePath/George Clint (1770-1854) - Malvolio and Sir Toby (from William Shakespeare's 'Twelfth Night', Act II, Scene iii) - 485055 - National Trust.jpg?width=200 "''Malvolio and Sir Toby (from William Shakespeare's 'Twelfth Night', Act II, scene iii)'', [[George Clint]] (c.1833)")
![''The Duel Scene from 'Twelfth Night' by William Shakespeare'', [[William Powell Frith]] (1842)](https://commons.wikimedia.org/wiki/Special:FilePath/NML WARG WAG 1736-001.jpg?width=200 "''The Duel Scene from 'Twelfth Night' by William Shakespeare'', [[William Powell Frith]] (1842)")
![Yale University Dramatic Association]], [[New Haven, Connecticut]], 1921](https://commons.wikimedia.org/wiki/Special:FilePath/Poster for Twelfth Night William Shakespeare Yale University Dramatic Association.jpg?width=200 "Yale University Dramatic Association]], [[New Haven, Connecticut]], 1921")
![Francis Wheatley]] (1771–72)](https://commons.wikimedia.org/wiki/Special:FilePath/Scene from Twelfth Night - Francis Wheatley.jpg?width=200 "Francis Wheatley]] (1771–72)")
![A depiction of Olivia by [[Edmund Leighton]] from ''The Graphic Gallery of Shakespeare's Heroines''](https://commons.wikimedia.org/wiki/Special:FilePath/Shakespeare's Heroines - Olivia.jpg?width=200 "A depiction of Olivia by [[Edmund Leighton]] from ''The Graphic Gallery of Shakespeare's Heroines''")
![''Sir Toby Belch coming to the assistance of Sir Andrew Aguecheek'', [[Arthur Boyd Houghton]], c. 1854.](https://commons.wikimedia.org/wiki/Special:FilePath/Sir Toby Belch coming to the assistance of Sir Andrew Aguecheek (Houghton c.1854).jpg?width=200 "''Sir Toby Belch coming to the assistance of Sir Andrew Aguecheek'', [[Arthur Boyd Houghton]], c. 1854.")
![William Hamilton]], c. 1797).](https://commons.wikimedia.org/wiki/Special:FilePath/William Hamilton, A Scene from Twelfth Night.jpg?width=200 "William Hamilton]], c. 1797).")
[,twelfθ'naɪt]
общая лексика
двенадцатая ночь (6 января; двенадцатый день после Рождества [Christmas]; последний день рождественских святок; совпадает с Крещением [Epiphany])
Definition
Марка легковых автомобилей, выпускаемых в США; автомобиль такой марки.
Wikipedia
"Dare You to Move" is a single by American alternative rock band Switchfoot from their fourth studio album, The Beautiful Letdown (2003). The song was originally called "I Dare You to Move", and was on the album Learning to Breathe, but the band decided to remix it and put it on The Beautiful Letdown. This track received considerable radio airplay, and its accompanying music videos saw play on MTV, VH1, FUSE TV, and other mainstream channels. "Dare You to Move" was released to Christian radio on February 6, 2004, and sent to modern rock radio the following month. It peaked at number 17 on the US Billboard Hot 100, becoming Switchfoot's second top-20 single, surpassing the success of their breakthrough single, "Meant to Live", in the United States.
Appearing as the first track on Learning to Breathe and the fifth track on The Beautiful Letdown, "Dare You to Move" was a long-lasting hit and eventually certified gold in April 2005. The song received positive reviews from critics, and was ranked number 73 on Rhapsody's list of the Top 100 Tracks of the Decade. "Dare You to Move" was co-produced by Charlie Peacock—who discovered Switchfoot and signed the band to its first record deal—and John Fields.
